Wednesday, February 19, 2014
Retrospective Exhibition at Evergreen Cultural Centre in Coquitlam
March 6 is the opening date for an exhibition of my paintings at the Evergreen Centre in Coquitlam, B. C. The curator and I went through three decades of my work to select the representative canvases, 16 pieces altogether, just barely skimming the surface of the many directions I have pursued. It has been quite interesting to look back and one of the things I noticed is that I have ended up not far from where I started. The paintings are on my website (www.patservice.com) and here is the show announcement:
Labels:
acrylic paintings,
archived work,
art,
exhibition,
lakes,
landscape painting,
painting,
retrospective,
trees
Saturday, February 01, 2014
Peter Doig in Montreal
There is a wonderful exhibition of paintings by Peter Doig, just opened at the Musee de beaux-arts de Montreal.
Peter Doig: No Foreign Lands
It is funny that if I had painted these paintings I would think, oh they are not good enough, I had better work on them to make them better. That is how much I know; the Art World has embraced them. What I do like is that they are paintings, an exuberant abundance of paint and colour on canvas.
In an interview in Canadian Art, The Closer You Get: An Interview with Peter Doig Doig says some interesting things, many of which I agree with. For example, they ask him what he is learning from his paintings:
Peter Doig: No Foreign Lands
It is funny that if I had painted these paintings I would think, oh they are not good enough, I had better work on them to make them better. That is how much I know; the Art World has embraced them. What I do like is that they are paintings, an exuberant abundance of paint and colour on canvas.
In an interview in Canadian Art, The Closer You Get: An Interview with Peter Doig Doig says some interesting things, many of which I agree with. For example, they ask him what he is learning from his paintings:
PD: I’m questioning where I am in the world, where I live in the world, thinking about other people, thinking about their situations. I think what I am doing is important—not because painting is important. As an activity, it’s important to actually do something. I feel guilty if I’m not painting. Once you succumb to painting, you have to carry on with it. Gerhard Richter said something very interesting to me—I’m not a huge fan of Gerhard Richter’s work, but he said, if you think about it too much, you stop doing it. That’s a great way of thinking about painting. You have to put your blinkers on, and stop thinking."
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