Layers and Light

One of the ways to get interesting colour in a painting is to layer the paint.  Three or four thinned washes of the paint, applied separately, one by one, can combine in a way to activate a pigment.  Light bounces between the layers. Your acceptance of the colour is as something complex and transparent, but with depth.  The history of the application, where each layer dries and then the next layer goes on, gives it a quality and an interaction that is different from a pre-mixed colour

I am very pleased that Oeno Gallery selected four of my paintings to go in their group exhibition just launched at their beautiful site in Prince Edward County, Ontario.  'Layers and Light' opens on November 9,  2024 and runs until January 26, 2025.

Red Mountain, 30x75", acrylic, 2017

Green Mountain, 35x65", acrylic, 2017 

Blue Mountain, 29.5 x 49.5",  acrylic, 2017

Dark Mountain, 30x50", acrylic, 2017

Trees turning into Paintings

I am just packing to drive up to Edmonton for my exhibition there, "Totems", opening July 9, this Saturday at the Scott Gallery.  There will be lots to see on the way, some of my favourite scenery and sources of inspiration.

To elaborate on how 'trees' can become paintings, here is an example of what can happen.

This:

can become this:

Or this:

could become this:

"Less & More", exhibition of new paintings, opening May 21st, 2016

This is one of the paintings in my coming exhibition, 'Less & More", at The Gallery/art placement inc., in Saskatoon.

"Turnaround", 2015, 42 x 42 inches. acrylic on canvas


Levi Nicholat, one of the new owners of the gallery,  has written an essay about the paintings, showing an understanding of where I started from in my painting, how I have progressed over the years, and where I am now.  The whole essay is available on their website, but I quote from it here:

"Interestingly, while Service has spent more than a decade exploring a simplified aesthetic, her very recent paintings demonstrate a swing of the pendulum back towards a more lushly impressionistic approach. Features in the landscape are once again more detailed, space is more complex, and there is generally more going on; however, these elements are now contrasted against areas of flat colour and crisp, graphic lines--the signatures of her reduced works. Rather than a return to a previous style, these paintings are actually a complex synthesis of stylistic idioms in the continuing evolution of Service's artistic practice."

Going Somewhere?

Although we haven't been in each others' studio for many years, it is curious that my friend Loraine Stephanson and I are both putting roads in our paintings. Roads are something I used to ignore because they seemed hard to integrate into the composition and also because they are man-made, uninteresting.  Now roads are almost central to the painting.  Here are two small paintings from a few years ago, while the two bigger ones that you can't see properly are from this year. Sorry that they are upside down and partially out of the picture.

'Round About Midnight' Exhibition

I am off to Calgary for the opening of my show there on Saturday (September 19, 2015) at Newzones Gallery of Contemporary Art.  The paintings are not of any particular place; they are more about memories of different occasions and moments.  However, it is hard for me to believe when I first visited this particular lake in Northern Saskatchewan what it would be the start of:

Winter Group Exhibition

Two of my paintings are hanging in a group exhibition at Art Placement in Saskatoon this month.  They are part of a series of small canvases I embarked upon when I started to use my new studio last year.  Each of them is 16 x 20 inches, and painted in oil paint.  Using a smaller scale and a different medium were a way to challenge myself and it did make me miserable for a while.  In the end the struggle always makes them more interesting.

The imagery came from my road trip paintings that I have been working up in strong colour,  on a large scale and with a simplified motif.

Online Catalogue/Essay About The Retrospective "Painting This Place"

                                           1983         "Nocturne"      30x36"            acrylic



The Evergreen Centre has produced an online catalogue for my recent exhibition, with an essay by Gregory Elgstrand.  It is viewable at this link:  PAINTING THIS PLACE .  Please click on  Exhibition Catalogue.
   

Retrospective Exhibition at Evergreen Cultural Centre in Coquitlam

March 6 is the opening date for an exhibition of my paintings at the Evergreen Centre in Coquitlam, B. C.  The curator and I went through three decades of my work to select the representative canvases, 16 pieces altogether, just barely skimming the surface of the many directions I have pursued.  It has been quite interesting to look back and one of the things I noticed is that I have ended up not far from where I started.  The paintings are on my website (www.patservice.com) and here is the show announcement:

Peter Doig in Montreal

There is a wonderful exhibition of paintings by Peter Doig, just opened at the Musee de beaux-arts de Montreal.  

Peter Doig: No Foreign Lands

It is funny that if I had painted these paintings I would think, oh they are not good enough, I had better work on them to make them better.  That is how much I know; the Art World has embraced them.  What I do like is that they are paintings, an exuberant abundance of paint and colour on canvas.

In an interview in Canadian Art,  The Closer You Get: An Interview with Peter Doig   Doig says some interesting things, many of which I agree with.  For example, they ask him what he is learning from his paintings:

PD: I’m questioning where I am in the world, where I live in the world, thinking about other people, thinking about their situations. I think what I am doing is important—not because painting is important. As an activity, it’s important to actually do something. I feel guilty if I’m not painting. Once you succumb to painting, you have to carry on with it. Gerhard Richter said something very interesting to me—I’m not a huge fan of Gerhard Richter’s work, but he said, if you think about it too much, you stop doing it. That’s a great way of thinking about painting. You have to put your blinkers on, and stop thinking."

Interview with Jonathan Forrest and Robert Christie

At my recent exhibition in Saskatoon, Jonathan asks me questions about the paintings and Bob elaborates on the relationship to my drawings.  You can see us here in this video:  Interview for "Connections and Variations Exhibition".  It was a new camera, so the interview did not really get going before the camera clicked off.

"Preview" Group Exhibition

Here are some photos from the group show I was included in this past month, at Art Placement Inc., in Saskatoon.

The exhibition, called "Preview", included the artists Dorothy Knowles, Kelly Goertzen, and Jonathan Forrest.  It was a good group to 'hang out' with.