Trees turning into Paintings

I am just packing to drive up to Edmonton for my exhibition there, "Totems", opening July 9, this Saturday at the Scott Gallery.  There will be lots to see on the way, some of my favourite scenery and sources of inspiration.

To elaborate on how 'trees' can become paintings, here is an example of what can happen.

This:

can become this:

Or this:

could become this:

Winter Group Exhibition

Two of my paintings are hanging in a group exhibition at Art Placement in Saskatoon this month.  They are part of a series of small canvases I embarked upon when I started to use my new studio last year.  Each of them is 16 x 20 inches, and painted in oil paint.  Using a smaller scale and a different medium were a way to challenge myself and it did make me miserable for a while.  In the end the struggle always makes them more interesting.

The imagery came from my road trip paintings that I have been working up in strong colour,  on a large scale and with a simplified motif.

Packing for a Painting Trip

For the past week I have been making preparations to go to Emma Lake, for the professional artists' workshop.  It is a lot of work getting ready.  I have to make sure I have warm clothes to paint in, as well as cool things if it is hot.  Whatever I wear will end up covered in paint, so I don't take anything nice, just something comfortable, with long sleeves and pant legs;  I don't want any mosquito bites.  Then there are decisions about paint, brushes, tools, canvas, paper, equipment, what route to take, who to visit along the way and so on.  I am finally ready I think, exhausted before I leave.  Two days and a half of driving ahead of me.

National Portrait Gallery, Edinburgh

When I was in Edinburgh this month, I went to the National Portrait Gallery, which has just re-opened after a major renovation.  There are some very modern exhibition spaces now, as well as some of the more traditional galleries that have been retained.  It is quite stunning.

Amongst the many old-fashioned (boring?) portraits there are some recent ones that are very refreshing.  Ken Currie painted "The Oncologists" in a serious way.  And there is a lively painting of Peter Higgs by Lady Lucinda Mackay that  I liked very much.  When I told an old friend about it at dinner that night, she said, 'Oh, we have two sketches by her."  I see that the writer Alexander McCall Smith dedicated his novel "44 Scotland Street" to her.

There is much to explore in the old/new museum and I hope to have more time on my next visit to Scotland.